When I got a text message from Marawa that something colourful was happening at the Barbican at 4 o'clock one Saturday I knew I had to go and see! It turned out to be this multicolour smoke bomb performance by Olaf Breuning as part of Doug Aitken's "Station to Station" 30 day happening. We then explored the rest of the show which is totally free and packed full of really fantastic finds. As I explain in the post below, there is a recording studio and mobile vinyl pressing plant. There is also a studio for the vinyl record sleeve artwork where guest graphic designers come in to make limited edition packaging. It's a process led curation so you can witness screen-printing, wood-block printing and see Olaf Eliasson's mechanical works from the original train journey. Outside of the main gallery are individual yurts holding installations such as director Kenneth Anger and this white "HoneyMoon Suite" by Urs Fischer. The emmense schedule of gigs, performances, seminars & workshops is coming to a close this weekend with a grand finale featuring musicians from the project. I 100% recommend visiting and attending Marawa's hoop class btw 3 - 4pm !
Friday, 24 July 2015
Friday 24th July: Nozinja / The Vinyl Factory at Station to Station, Barbican
For the record shop part of my exhibition at KKOutlet last year, we included Nozinja's debut album in the selection curated by Todd Hart. So I have been aware of the South African Shangaan Electro producer for a while now and seen a performance at London's Elecrowerkz. Now the second album has been released on Warp and is well timed with the Station To Station project at The Barbican Gallery. For the last two days Nozinja has been resident in the gallery's temporary recording studio courtesy of The Vinyl Factory. The rotating roster of artists for the month are taking turns to use the resource and turn the recordings into physical records for the gift shop. Here is the onsite pressing plant where vinyl is patted into ball, squished between the grooved plates, cooled, trimmed, branded and boxed. I felt like Charlie in The Chocolate Factory watching each stage and the mechanics of this original technique. Its incredible how something so lo-fi produces the cleanest sounds. As a vinyl collector I've always wanted to know how its done, so I feel pumped to have had the privilege to witness it first hand.
Micachu was also in the recording studio with Nozinja and here she is with Tirzah supporting Nozinja's 100th live performance last night in the gallery. The BPM (beats per minute) of this electro are actually faster than jungle so the dancers moves are like speed lightening and too fast to capture on camera............. or keep up with dancing yourself!!! So, so good. So fresh and fun, a must-see if you haven't already experienced the spectacle.
See more info here.
Wednesday, 22 July 2015
Wednesday 22nd July: Yoga Retreat to Ibiza with Stretch
Here is my visual diary for last week's escape to Northern Ibiza for a yoga retreat with my friends at Stretch London. Ive written up the experience for my Fitness blog on Hunger Magazine - head over here or read below:
STRETCH OF THE IMAGINATION
If you are in the throws
of frantically finding a last minute Summer holiday or planning ahead for some
Winter Sun – heed this. I’ve just
returned from my first ever yoga retreat experience and it totally exceeded all
expectation. I can’t recommend it enough
and I cant wait to book another.
It’s a chance to totally
escape your routine reality by literally leaving the country and secondly freeing
your mind. My week away was spent with Stretch Studio instructors and ten other
yogi’s signed up for Ibiza escapades. It
had occurred to me that travelling with strangers could potentially turn out a
bit Pete Tong but it had the complete opposite outcome. Harnessing the energy from everyone around
was just as crucial as time spent honing our skills. Perhaps yoga attracts Zen souls? But we clicked, made each other crack up and
became so comfortable it was the perfect support for playing around with
poses. The best way to learn and improve
is by fearless experimentation and having fun.
After five days of loliday with like-minded folk, it’s an encouraging
space to push your practise as apposed to a regular packed city class.
Each day began with a
guided meditation session on the terrace overlooking the pine green
valley. As the cockerels crowed, goats
tinkled their bells and Mediterranean sun appeared behind the Mountain View, it
was time to set the tone for a day of peaceful play. From this still and tranquil space, we gently
transitioned into the morning’s session of rise and shine energising yoga. A second evening workshop completed each
day’s tuition with the time inbetween free to explore the island. Brunch was served after a blissful Savasana
under the open-air blue sky canopy of sails.
Without wandering off into hippie hypothesis here, I think we were all
in agreement that our chef was cooking with love because we could taste the pride
in every multicolour morsel. Not only
did she engineer something exceptional for each sitting but also decorated it
exquisitely with the Finca’s exotic flora.
However, before I
digress down the Ibizian hippy dream, don’t be fooled into imagining it was
some British Wheel of Yoga mellow
movement. This was energised, active,
dynamic vinyasa flow. The benefit of
five days back-to-back yoga is building up strength of body and mind for
confidence to push limits perhaps not reached at your regular weekly hour. It worked such magic on me that by the end I
was attempting turning a “crow” into a headstand in one fluid move. I have improved leaps and bounds from finding
inversions terrifying to undertaking unassisted upside down asanas. I also finally picked up a sense of how to
sequence poses to be able to undertake my own practice at home. Accumulative learning like that really layers
foundations for familiarity to get to grips with it.
Getting up the last few
mornings now that I’m home has been mortifying.
It was such a treat to be able to roll out of bed onto a mediation matt
rather than a Neanderthal
hunch over a device on a London commute.
Far from the adventure trails we took to Ibiza’s secret beaches for
swimming in azure blue coves and sandy caves.
If that doesn’t sound tempting enough to put down a deposit to their
next get-aways to Portugal, Morocco or India, then you can just use that mental
image of a slice of heaven on earth for your next yoga nidra.
(Thanks to Sally Graveling for the photos of me - see here in a headstand in the 1st pic)
Thursday, 9 July 2015
Thursday 9th July: Manchester International Festival - Bjork & Tree Of Codes
A day at Manchester International Festival last Sunday with a Matinee of "Tree Of Codes" and ended with Bjork's European premiere of "Vulnicura". Both with a kind of Icelandic link - the ballet was art directed by Olafur Eliasson. As one of my favourite artists this was very exciting!!! The entire stage of the Opera House was devided up with graphic partitions of iridescent stained glass. The shapes moved within the panels and between these the dancers paved a path with their own shapes in the form of moves. For the majority of the performance the entire cast were on stage which was incredible for both their endurance and that they seamlessly snaked round each other, never clashing. The soundtrack was an original score by JamieXX from which Wayne McGregor choreographed the acts, bringing together both contemporary dancers and classically trained ballerinas to compliment each other. What was a magic afternoon became an even more cosmic evening with Bjork's performance on an open-air stage in the Roman Amphitheatre. She was supported by the producer of the record Arca, who had live visuals for his own set from collaborator Jesse Kanda. Then later as sunset drew in, spectrum smoke-bombs fired in the sky and then glitter gold fireworks closed the show when the night turned dark. With an intermission of a sneaky fish & chip supper and pint of Boddingtons, I managed to pack in the perfect Manchester Festival experience into one day. I also packed 3 looks!!
There's still time to catch "Tree OF Codes" in addition to a Damon Albarn musical, Twigs concert, FourTet curated DJ night, and performance capture installation by Ed Atkins at the Manchester Art Gallery.
See the whole programme of these and more here.
Tuesday, 7 July 2015
Tuesday 7th July: Glastonbury Festival - Record Collection of Gideon Berger, Co-Founder of Block9
Over the years that I have been going to Glastonbury with Block9 I have always marvelled at how despite the varying weather conditions, Gideon has always DJ'd with vinyl. If its not treacherous mud underfoot then its scorching heat - neither recommended conditions for storing or transporting records. Yet every year there he is delighting in the crisp sound of his 7" selections. Its enough for me to wheel my flight case across London without losing my shit, let alone lifting and schlepping a week's worth of wax over the fields of Worthy Farm. And herein lies the answer to half that battle. He drives the whole lot onsite in his home. I've peaked through the port-hole at his collection when its been pitched backstage and dreamed of having a dig thru. Last week I had the opportunity to get my fingers dusty and stroke the spectrum spines of the multi-colour sleeves. Gideon obliged to my request for a Through The Keyhole type invasion to document "who could possibly live in a house like thiiiiiiiiiiiiis?". "Lets look at the evidence.................." artefacts & literature from the African diaspora, art deco armchair, record collection spanning Disco, Soul, Funk, Acid House, Rare Groove, Reggae, a tape-measure and tools ...............
Alongside Steve Gallagher, Gideon is partner and co-founder of Block9 , responsible for the NYC Downlow. He's also broadcaster on SohoRadio and their own eponymous Downlow Radio. Apparently these four walls have hosted some monumental parties, packed so full that you could crowd-surf from one end to the other without touching the floor. I get a picture of how the Block9 phenomenon might have been first conceived. My visit fell on a quiet and calm afternoon in the midst of the festival week and month of his stay for the build. Perfect for a chat about his love for rare black gospel soul, his teenage experience of the Glastonbury Festival and his inherent social consciousness inherited from his activist Grandmother. I want to know more but there isn't time. Wallpaper want a piece about the design ethos and The Guardian want to get to grips with the fake moustache ticketing policy. I forget I'm interviewing and naturally slip into simply hanging out, whilst sipping on rum and ginger. I think that's ok though. I think that's actually what blogging is about and the friendships you form from genuine inquisitive research with no agenda. It's taken so long to write this up because Ive had such a nice time listening back to an archive of his shows and equally of Downlow's DJ's to get a proper sense of the family sensibility that's the foundation of these set-building blocks with partner Steve. All of that can be read in the previous post underneath this ................... enjoy. I did : )
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