I have always taken it for granted that a museum or gallery are responsible for putting on a show.......but no........I have come to learn that an artist can have complete control and input from the outset. I suppose we should expect no less from a creative who is fundamentally fastidious and specifically successful for over seeing every element of his photography. Initial plottings were turned from sketches into a small scale architectural maquette. From here, the whole construction was orchestrated with the usual team behind Tim's sets and then shipped over to Belgium. Existing archive props nestle inbetween these new pieces to give an overall tactile retrospective to complement the prints. Here you can see Shona Heath's surrealist glove hanging next to Andy Hillman's shot of Aaron knitted cars.
As before there are Tim's precious sketchbooks opened up for inspection...........e.g original prints of our studiomate Andy Macgregor's first modelling for Tim with pastel powder clouds. Here is Tim and stylist Jakob K having a peek at the private view and Jacob also looking at one of my personal fave portraits of Patrick Wolf .
Thanks to Alex Cunningham for the shots from the opening this weekend.
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